Humanistic Theories: Carl Rogers

To seriously study creativity, it is useful to know something about the first scientific efforts to define and explain it, attributable to psychology.

  1. Step 1: Small doses...visuals!

    The idiosyncrasies, concepts and language of mechanical engineering are somewhat distant from the psychological approach and it is easy for the reader to lose the thread of the explanations by becoming entangled with its specific terminology and its forms of expression.

    For this reason, I have preferred to extract small fragments of the theories of creativity and make an effort to create my own graphic image for them.

    My graphics involve the risk of biasing and/or distorting the original ideas, which also exists when trying to paraphrase them, but it brings the will to understand them and translate them into engineering language in the hope of bringing both approaches closer together.

    To this end, I have relied on research works that compile and summarize these theories. In particular, the work of authors Busse & Mansfield that appears in the quotes in the next step of the tutorial.

  2. Step 2: Humanistic Theories: Carl Rogers

    Busse & Mansfield (p. 50) mention Abraham Maslow's theory in their works (Creativity in selling actualizing people, 1959) and (The creative attitude, 1967) but only describe Carl Rogers' theory (Toward a theory of creativity, 1959) . What is notable in this theory is the recognition of the importance of the individual's context for the creative process in which, in turn, little importance is given to "the usefulness of the product." It is illustrated with a simple diagram.

    References:

    • Busse, T. V., & Mansfield, R. S. (1984). Teorías del proceso creador: revisión y perspectiva. (©. 2.-2. reservados, Ed.) Studies in Psychology = Estudios de Psicología, nº 18 (traducido del Journal of Creative Behavior, num. 2, vol. 14, 91-103, 1980), 47-57. Recuperado el 18 de diciembre de 2020, de https://dialnet.unirioja.es/ejemplar/7049
    • Maslow, A. H. (1959). Creativity in sell actualizing people. En H. H. Anderson (Ed.), Creativity and its cultivation. Harper.
    • Maslow, A. H. (1967). The creative attitude. En R. L. Money, & T. A. Razik (Edits.), Exploration in creativity. Nueva York: Harper.
    • Rogers, R. C. (1959). Toward a theory of creativity. En H. H. Anderson (Ed.), Creativity and its cultivation. Nueva York: Harper.


  3. Step 3: My graphic interpretation

    Humanistic Theory: Carl Rogers (1959)

    Note. The usefulness or appropriateness of the creative product is not what is relevant. Source: illustration by the author.


    Texts of the figure in Spanish, translated:

    Individual:

    Game with elements

    Play with concepts

    Internal evaluation locus

    Openness to experience


    Context:

    Circumstances

    People

    Events

    Materials


    Creative Process


    Emergence in action of a new relational product


    Reference: all texts and images in this tutorial were extracted from the doctoral thesis cited below,


    • Valderrey, M.E. (2021), “Catalizadores Creativos en Ingeniería Conceptual: Evaluación de Habilidades Visuales y Verbales para Diseño Mecánico”. Propuesta de tesis doctoral, UNINI-México.


  4. Step 4: Links

    This tutorial comes from:

    Perceptual Theories: Ernest Schachtel

    and continues in:

    Theories of Cognitive Development: David Feldman

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